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Monday, July 11, 2005

An Award for 'Millions'

Millions1107 Frank Cottrell Boyce's Millions [Macmillan Children's Books] has won the 2005 Carnegie Medal.

The 2005 Kate Greenaway Medal (for illustration) was awarded to Chris Riddell for Jonathan Swift's Gulliver [Walker Books] (text by Martin Jenkins).

View the shortlists for both awards here (Carnegie) and here (KG).

Millions is Cottrell Boyce's first novel. He is a screen writer whose credits include Hilary and Jackie, Coronation Street and 24 Hour Party People. The movie-version of Millions, directed by Danny Boyle was released last year. It tells the story of two young brothers who find a bag stuffed with money - over 200 thousand pounds, which, in the story, is a currency that's about to be phased out. The boys therefore have only 17 days to spend their windfall.

Gulliver1107 Gulliver comprises 144 pages - much more than the average picture book - and features Tony Blair in caricature. Riddell is The Observer's political cartoonist.

Click here for an article written by him about political cartoonists who illustrate children's books.

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Picture/Board Book of the Month

  • June 2008: Jenny Wagner (Author) & Ron Brooks (Illustrator): John Brown, Rose and the Midnight Cat

    June 2008: Jenny Wagner (Author) & Ron Brooks (Illustrator): John Brown, Rose and the Midnight Cat
    John Brown is an old English sheep dog. He belongs to Rose, an old widow, and is a deeply devoted companion. Says Rose, "We are all right, John Brown. Just the two of us. You and me." But one night, Rose notices a cat in the garden. A midnight cat. She is fascinated by the cat. John Brown doesn't approve. He tells the cat to leave. But Rose wants the cat. She longs for it. She leaves it milk in a bowl, which John Brown tips over. Finally, Rose takes to her bed and declares that she might stay there forever. John Brown is sad and decides that, because he loves Rose so much, he will put up with the midnight cat. This is a strange picture book - quite gloomy and sombre. The midnight cat is slightly sinister - could it be a symbol of death? When John Brown finally allows the cat into the cottage, is he really accepting Rose's death? Perhaps being a true friend includes being able to let go.

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