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Sunday, March 09, 2008

Life's a Bitch

Tots0903 The YA Book Club at Borders will be held for the first time on Friday, March 14 at 7-10pm,  at Starbucks, Borders, The Curve, Mutiara Damansara, Petaling Jaya, Malaysia. The session is open to 14-21-year-olds. All registered participants will receive free complimentary tall coffee of the day and a Borders Gift Certificate.

For enquiries call 03 7725 9303 or email curve@bordersstores.com.

The Bell Jar by Sylvia Plath is the featured book.

Plath Discussing a descent into madness

I’D like to give Borders Bookstore’s Young Adult (YA) book club a quick plug this week. Facilitated by Brian Jones and Jade Ong, the club’s been running for over a year now, and you should check it out sometime. The latest book discussed (two days ago) was Mary Shelley’s Frankenstein

Now Borders has a book club for young adults’ literature too. The first meeting will be held on Friday, and Sylvia Plath’s The Bell Jar will be discussed (see details below). Avid reader Ahnaf, who’s 19 (and whose YA reviews you might have read in StarMag’s recently launched YA! Fiction column in these pages), will be leading the discussions for The Bell Jar.

I invited him because I figured it’d be cool for those attending to have someone their age to talk to about the book, and because Ahnaf is, in his own words, “a Plath-stalker” – he owns everything written by the poet and practically everything written about her. And he wrote a research paper about her for a special A-Levels exam. Yeah, I think he’s the right person to facilitate this discussion.

If this is the first time you’ve heard about the book club, it’s not too late to participate. You have about five days to grab a copy of Plath’s novel, read it, and get to Borders at The Curve in Mutiara Damansara, Petaling Jaya. Don’t worry, it’s not a book you’ll struggle with.

The story of Esther Greenwood, an attractive and talented young woman who has a mental breakdown, was written when Plath was about 30, but she captured really well the deliberately flippant tone of adolescence. Esther is intensely, almost painfully, aware of everything and everyone around her, and her descriptions ring with dark humour that will have you grinning (and even laughing out loud) before you notice their depressing and grim inferences and implications. 

Esther’s first person account of her slow descend into insanity, her almost cold-blooded scrutiny of herself as the bell jar lowers, snuffing out reason, hope and life, is bewitching and unsettling. I think I would have enjoyed this book enormously back in the day when I fancied myself doomed and stayed up all night listening to David Bowie’s Station to Station and planning my own funeral. Unfortunately (fortunately?), I only came across Plath during my disgustingly cheerful mid-20s.

My angst-ridden wannabe-writer feminist friends were all in love with her, but her poems just made me impatient, and I viewed Esther’s hopelessness and helplessness with the superior disdain felt by someone who thinks (inaccurately) that their life is sorted. 

For some reason, I have more empathy now and, at 40, can recall my difficult adolescence with more clarity and understanding than I did in my mid-20s – some things (many things, in fact) do improve with age. I think I am developing respect if not affection for Plath’s work.

If you’re thinking of getting a copy of The Bell Jar, I recommend the HarperPerrenial Modern Classics edition (244 pages, ISBN: 978-0060837020), which has an extra 22 pages about Plath’s life (by Lois Ames, and featuring drawings by Plath herself), notes on the book, and information about Plath’s other work (prose and poems), letters and journals.

See you at the book discussion.

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Picture/Board Book of the Month

  • June 2008: Jenny Wagner (Author) & Ron Brooks (Illustrator): John Brown, Rose and the Midnight Cat

    June 2008: Jenny Wagner (Author) & Ron Brooks (Illustrator): John Brown, Rose and the Midnight Cat
    John Brown is an old English sheep dog. He belongs to Rose, an old widow, and is a deeply devoted companion. Says Rose, "We are all right, John Brown. Just the two of us. You and me." But one night, Rose notices a cat in the garden. A midnight cat. She is fascinated by the cat. John Brown doesn't approve. He tells the cat to leave. But Rose wants the cat. She longs for it. She leaves it milk in a bowl, which John Brown tips over. Finally, Rose takes to her bed and declares that she might stay there forever. John Brown is sad and decides that, because he loves Rose so much, he will put up with the midnight cat. This is a strange picture book - quite gloomy and sombre. The midnight cat is slightly sinister - could it be a symbol of death? When John Brown finally allows the cat into the cottage, is he really accepting Rose's death? Perhaps being a true friend includes being able to let go.

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